Take a look at the final cover art for my second Bad Moon novel, Lesser.
Alissa Rindels is the amazing artist who produced this painting of the vampire Lucifera. Alissa also painted the cover and interior art for Lucifera's Pet. Check out more of her fantastic artwork at her website.
Lesser is scheduled for release in September 2011. Stay tuned!
Showing posts with label vampires. Show all posts
Showing posts with label vampires. Show all posts
Monday, June 20, 2011
Saturday, May 28, 2011
Title and Cover Art - Bad Moon Book 2
After what has felt like a smurfing eternity, I am finishing up the draft for my follow up novel to Lucifera's Pet. Without further ado, here is the title:
LESSER - Bad Moon Book 2
The title, Lesser, has many meanings in the story. The most obvious is the old saying, "the lesser of two evils." While this comes into play, it has far greater significance. That's all I'm saying. Anything more would be spoiler territory.
I have also decided upon a title for the series: Bad Moon. Within the story, "bad moon" is a vampire slang term for a werewolf hunt--usually one in which the werewolf has virtually no hope of of surviving.
Now for the good part: the initial cover sketch.
I have once again had the great pleasure of working with Alissa Rindels on the cover art. She provided me with her initial sketch for the front cover this afternoon:
As you can see, at some point in the story, Lucifera has a pretty rough day. The back cover will continue the scene. If you want to see who or what is at the tip of her sword, keep on watching this blog.
Alissa will have an art booth at the 20th Annual Iowa Renaissance Festival and Gathering o' Celts this month, May 28-29-30, at Middle Amana Park (Medici Grove) - Amana Colonies, IA . If you are able to stop by, you might be able to see her working on this painting. Be sure to visit her website and check out her prints for sale. You can even purchase a hand embellished print, which is the next best thing to owning an original work.
I'd love to hear your thoughts on the cover draft. Let me know in the comments below.
LESSER - Bad Moon Book 2
The title, Lesser, has many meanings in the story. The most obvious is the old saying, "the lesser of two evils." While this comes into play, it has far greater significance. That's all I'm saying. Anything more would be spoiler territory.
I have also decided upon a title for the series: Bad Moon. Within the story, "bad moon" is a vampire slang term for a werewolf hunt--usually one in which the werewolf has virtually no hope of of surviving.
Now for the good part: the initial cover sketch.
I have once again had the great pleasure of working with Alissa Rindels on the cover art. She provided me with her initial sketch for the front cover this afternoon:
As you can see, at some point in the story, Lucifera has a pretty rough day. The back cover will continue the scene. If you want to see who or what is at the tip of her sword, keep on watching this blog.
Alissa will have an art booth at the 20th Annual Iowa Renaissance Festival and Gathering o' Celts this month, May 28-29-30, at Middle Amana Park (Medici Grove) - Amana Colonies, IA . If you are able to stop by, you might be able to see her working on this painting. Be sure to visit her website and check out her prints for sale. You can even purchase a hand embellished print, which is the next best thing to owning an original work.
I'd love to hear your thoughts on the cover draft. Let me know in the comments below.
Labels:
bad moon,
lucifera's pet,
new,
novels,
vampires,
Werewolves
Friday, May 13, 2011
Book Giveaway! - Win a Kindle copy of Blood Faerie by India Drummond and a signed print copy of Lucifera's Pet by M.T. Murphy
Read on for a chance to win a Kindle copy of India Drummond's new release, Blood Faerie and a signed print copy of Lucifera's Pet by M.T. Murphy.
Yes. I just referred to myself in third person. I love doing that.
I mean M.T. Murphy loves referring to himself in third person because he is a great big weirdo. That's better.
To celebrate the launch of her latest urban fantasy novel, Blood Faerie, author India Drummond will give away five Kindle copies of her book on its release day, June 1, 2011.
Blood Faerie is the first in India Drummond’s new series, Caledonia Fae.
The blurb:
Unjustly sentenced to death, Eilidh ran—away from faerie lands, to the streets of Perth, Scotland. Just when she has grown accustomed to exile, local police discover a mutilated body outside the abandoned church where she lives. Recognising the murder as the work of one of her own kind, Eilidh must choose: flee, or learn to tap into the forbidden magic that cost her everything.
To enter to win a Kindle copy of the new book, all you have to do is sign up for her email newsletter. The email list is only used to announce book releases and important events, and emails are sent out infrequently. (It’s free, and it’s easy to unsubscribe after the contest date if you find it’s not for you.) Sign up here: http://eepurl.com/bTDfP
Five winners’ names will be announced on the India Drummond newsletter on June 1st, along with instructions for how winners can claim their free Kindle books. Only subscribers are eligible to win.
No Kindle? No problem! Anyone with a PC, Mac, or smart-device (iPhone, Blackberry, Android phone, etc) can read a Kindle book. Download free reading software here:
Want to quadruple your chances of winning? Simply tweet about the contest with a link to any participating blog post and include @IndiaDrummond in your tweet. Or, share the link on Facebook. (But be sure to add @India Drummond to tag her on the link so she will see it! – You can add her to your friend list here: http://www.facebook.com/india.drummond) And finally, add another entry to the list by posting about the contest on your blog.-- Tweet and share the link as much as you like, but only one additional entry per method, per person.
Win a signed copy of Lucifera's Pet!
For Werewolf Kibble blog readers, I am also holding a contest for a free signed copy of my novel Lucifera's Pet. To enter, post a comment below and sign up for India's email newsletter. For every ten people who enter my contest, I'll add another signed copy of Lucifera's Pet to the prize pool.
Good luck!
Tuesday, April 19, 2011
Public Display - Flash Fiction Dare
Through an odd twist of events on Twitter, I found myself on the receiving end of a dare to write a scene containing an inappropriate bit of intamacy in a public place. This is my somewhat tardy entry for said dare.
Read this and let me know what you think. Then, be sure to visit the other guilty parties and their naughty short stories:
Anabel
http://nemone7.livejournal.com/
Monica
http://tinyurl.com/3cosltt
Bruscetta’s was not an exclusive restaurant; it was an impossible restaurant. There was no sign outside, no number in a phone book, and a minimum one-year waiting list. Only twelve tables filled the dining area.
Lucky patrons met with the chef, Alberto, when they entered. He would speak with them for a moment and then bring them the best meal they had ever eaten with no guidance or menu whatsoever.
It was like magic.
On this particular evening twelve enchanted couples feasted on dishes of exotic duck, eggplant, steak, pasta, and seafood that had been swimming only hours earlier. They drank white and Merlot wines that were older than they were. They savored the food and tried to forget about the sobering bill to come.
It was a typical evening at an atypical restaurant.
That changed during the main course with the opening of the front door.
A woman stepped into the dim candlelight of the room. She was pale with long, black hair that flowed down her shoulders. Her simple yet elegant black dress draped just above her knees. She was beautiful with an air of fierceness that showed through her emerald eyes even in the darkness.
Her escort closed the door behind her and glanced around the room with the kind of steely indifference with which a wolf surveys a flock of sheep. Where she was beautiful and elusive, he was wild and aggressive. From his shaggy sideburns to his old leather jacket, he did not seem like the type to accompany the woman, especially to a place like Bruscetta’s.
Alberto greeted the pair with his melodic accent that had somehow remained unaffected by many years away from his homeland. He immediately placed a thirteenth table against the wall.
The two sat and stared at each other, oblivious to the rest of the room.
Given the usual difficulty in obtaining a table, there were a few murmurs of discontent among the other patrons at their arrival, but they kept their dissatisfaction as quiet as possible.
After a few moments, Alberto returned and placed a rack of lamb in front of the man and a single glass of blood-red wine in front of the woman.
The conversation among the other couples changed from delight over the food to open speculation about the newcomers. They weren’t famous. They didn’t seem to be foreign dignitaries or local politicians. It was finally decided that they must simply have been friends of the chef.
While reaching this consensus, the others continued to observe the couple. The pair spoke low and stared directly into each other’s eyes, smiling and laughing occasionally. The man ate the rack of lamb, quite savagely, never offering any to the woman.
She didn’t seem to mind his poor manners. In fact, at one point, she reached across the table and touched his hand while he ate. With her eyes closed, she giggled and licked her lips slowly. He chewed purposefully, savoring every taste of the succulent meat and watching her reaction. She closed her mouth and pouted, then touched her chest when he swallowed, urging him to take another bite.
She gulped a bit of the wine, spilling a little on her cheek. The man wiped it away with his fingers and she grabbed his hand and licked the wine from his skin while staring into his eyes.
A few of the other couples looked away.
She pulled his finger into her mouth and a drop of crimson ran down the man’s hand. Blood?
The woman’s surly companion groaned as if in reply to the unspoken question on everyone’s mind.
Yes, blood.
The couples who looked away before, now looked on without hesitation.
The man reached under the table and grasped the woman’s chair. She released his hand with a purr and he effortlessly dragged her chair around until she sat right next to him.
He put his arm around her and leaned closer. She looked away and took a sip of wine. He smiled at her avoidance and touched her knee. Fingers slid up her alabaster skin and under her silk dress. A hint of smile crossed her lips as he leaned closer, brushing his oddly sharp teeth against the nape of her neck.
She turned back to him and shifted her body to face his. She crossed her legs and then brushed the calf of her dangling left leg gently over his groin.
The man growled audibly.
Then, they kissed. It was no quick peck of affection. It was the long, slow, lingering kiss of two lovers who knew what they wanted and were prepared to take it if necessary, regardless of the audience.
When they stopped, the man placed a wad of hundred dollar bills on the table and stood, still staring at the woman, feasting on her with his gaze. She smiled, relishing in the power she seemed to have over him.
She stood as well and rubbed her shapely backside against the prominent bulge on full display in the front of his trousers, drawing another growl from him.
They quietly left, leaving a room full of gaping jaws. A husband growled playfully at the wife. A girlfriend crossed her legs and brushed against the boyfriend.
Alberto returned and asked if anyone was ready for dessert.
Instead, twelve different couples all requested their checks as they suddenly had far better places to be.
Read this and let me know what you think. Then, be sure to visit the other guilty parties and their naughty short stories:
Anabel
http://nemone7.livejournal.com/
Monica
http://tinyurl.com/3cosltt
Public Display
Bruscetta’s was not an exclusive restaurant; it was an impossible restaurant. There was no sign outside, no number in a phone book, and a minimum one-year waiting list. Only twelve tables filled the dining area.
Lucky patrons met with the chef, Alberto, when they entered. He would speak with them for a moment and then bring them the best meal they had ever eaten with no guidance or menu whatsoever.
It was like magic.
On this particular evening twelve enchanted couples feasted on dishes of exotic duck, eggplant, steak, pasta, and seafood that had been swimming only hours earlier. They drank white and Merlot wines that were older than they were. They savored the food and tried to forget about the sobering bill to come.
It was a typical evening at an atypical restaurant.
That changed during the main course with the opening of the front door.
A woman stepped into the dim candlelight of the room. She was pale with long, black hair that flowed down her shoulders. Her simple yet elegant black dress draped just above her knees. She was beautiful with an air of fierceness that showed through her emerald eyes even in the darkness.
Her escort closed the door behind her and glanced around the room with the kind of steely indifference with which a wolf surveys a flock of sheep. Where she was beautiful and elusive, he was wild and aggressive. From his shaggy sideburns to his old leather jacket, he did not seem like the type to accompany the woman, especially to a place like Bruscetta’s.
Alberto greeted the pair with his melodic accent that had somehow remained unaffected by many years away from his homeland. He immediately placed a thirteenth table against the wall.
The two sat and stared at each other, oblivious to the rest of the room.
Given the usual difficulty in obtaining a table, there were a few murmurs of discontent among the other patrons at their arrival, but they kept their dissatisfaction as quiet as possible.
After a few moments, Alberto returned and placed a rack of lamb in front of the man and a single glass of blood-red wine in front of the woman.
The conversation among the other couples changed from delight over the food to open speculation about the newcomers. They weren’t famous. They didn’t seem to be foreign dignitaries or local politicians. It was finally decided that they must simply have been friends of the chef.
While reaching this consensus, the others continued to observe the couple. The pair spoke low and stared directly into each other’s eyes, smiling and laughing occasionally. The man ate the rack of lamb, quite savagely, never offering any to the woman.
She didn’t seem to mind his poor manners. In fact, at one point, she reached across the table and touched his hand while he ate. With her eyes closed, she giggled and licked her lips slowly. He chewed purposefully, savoring every taste of the succulent meat and watching her reaction. She closed her mouth and pouted, then touched her chest when he swallowed, urging him to take another bite.
She gulped a bit of the wine, spilling a little on her cheek. The man wiped it away with his fingers and she grabbed his hand and licked the wine from his skin while staring into his eyes.
A few of the other couples looked away.
She pulled his finger into her mouth and a drop of crimson ran down the man’s hand. Blood?
The woman’s surly companion groaned as if in reply to the unspoken question on everyone’s mind.
Yes, blood.
The couples who looked away before, now looked on without hesitation.
The man reached under the table and grasped the woman’s chair. She released his hand with a purr and he effortlessly dragged her chair around until she sat right next to him.
He put his arm around her and leaned closer. She looked away and took a sip of wine. He smiled at her avoidance and touched her knee. Fingers slid up her alabaster skin and under her silk dress. A hint of smile crossed her lips as he leaned closer, brushing his oddly sharp teeth against the nape of her neck.
She turned back to him and shifted her body to face his. She crossed her legs and then brushed the calf of her dangling left leg gently over his groin.
The man growled audibly.
Then, they kissed. It was no quick peck of affection. It was the long, slow, lingering kiss of two lovers who knew what they wanted and were prepared to take it if necessary, regardless of the audience.
When they stopped, the man placed a wad of hundred dollar bills on the table and stood, still staring at the woman, feasting on her with his gaze. She smiled, relishing in the power she seemed to have over him.
She stood as well and rubbed her shapely backside against the prominent bulge on full display in the front of his trousers, drawing another growl from him.
They quietly left, leaving a room full of gaping jaws. A husband growled playfully at the wife. A girlfriend crossed her legs and brushed against the boyfriend.
Alberto returned and asked if anyone was ready for dessert.
Instead, twelve different couples all requested their checks as they suddenly had far better places to be.
Labels:
dare,
flash fiction,
lucifera's pet,
vampires,
Werewolves
Tuesday, March 1, 2011
Kiss Me, Kill Me Paranormal Anthology out now
Much like Elvis, I have been taking care of business in a flash, as such:
Remember that time The King exploded out of a Fabergé egg? Yeah. Neither does he, but you can’t deny how fucking awesome it would be if he did.
I haven’t been mounting a comeback tour. I have been finalizing a short story for this anthology.
Head on over to Amazon, Barnes & Noble, or Smashwords and check it out. It’s only $0.99 and the proceeds go to GreaterGood.org.
You’ll find shapeshifters, vampires, superheroes, demons, faeries, men and women of mystery, and leprechauns!
Okay, I’m lying about the leprechauns, but these stories contain all those other things and then some, all for less than the cost of a single can of Guinness.
Voyage into the realm of the paranormal with this nine author short story anthology. Sink your teeth into:
A Ghoulish Valentine by H.P. Mallory:
Dulcie O’Neil can’t help her attraction to Knight Vander, much though she tries to fight her feelings. When she begrudgingly accepts his invitation to dinner and a movie, the last thing she expects is that she’ll be defending herself against a cemetery full of hungry ghouls and one incredibly sexy man.
Cat Fight by Zoe Winters:
Cat Fight takes place in Zoe Winters’ “PretVerse”. Greta is a cat therian (shifter). She’s been involved with Dayne, a local sorcerer since she sought his protection from her murderous tribe. After a fight, Greta shifts into cat form and refuses to come back out.
Impulse Control by Susan Bischoff:
In the world of the Talent Chronicles, kids born with supernatural powers are taken from their families and forced into government research facilities called State Schools. At one such school, a group of Talents must work together to stop a dangerous experiment that’s already killed two of their peers and threatens others. If they’re caught they face Detention, and Detention at a State School has a whole different meaning.
Wild Passion by Lori Brighton:
James is a treasure hunter intent on collecting a deadly, priceless statue. Then he meets Adelaide, a stubbornly beautiful and mysterious woman who knows more about the statue than she admits. Suddenly, James is tempted to give up everything for the one treasure he can’t seem to own … Adelaide.
A Fairytale Ending by M.T. Murphy:
An unlucky actress discovers that there is no good and bad when it comes to vampires and werewolves, only bad and worse.
Blind Sight by Kait Nolan:
Isla’s ability as a Seer has made her a life-long captive of a paranormal crime lord. Fae assassin, Ransom, offers her a chance at escape, but when she touches his hand she sees only blood, horror, apocalypse. What reason can Ransom have for wanting to rescue her, and can she possibly trust a man who deals in death?
The Sacrifice by Toni LoTempio:
After a chance meeting with the mysterious Alfred Barstow, Jennifer is swept off her feet by his whirlwind courtship of her, so much so that she accepts his proposal of marriage. Leaving her boyfriend Peter behind, she heads off to start a new life in California, unaware there’s more to Alfred than meets the eye – and a sinister plot behind his proposal. The Sacrifice is a story about what happens when the man of your dreams turns out to be your worst nightmare…and then some!
Until the Breaking of the Day by Daniel Arenson:
The Underground. A realm of flame, blood, and knives in the dark.When its prince returns from exile, a young demon girl will learn his secrets.
If You Leave by Stacey Wallace Benefiel:
Despite their devotion to one another, Gabrielle and Jorge have been living separate lives. That is, until Gabrielle’s life ends. Reunited and it feels so…complicated?
Remember that time The King exploded out of a Fabergé egg? Yeah. Neither does he, but you can’t deny how fucking awesome it would be if he did.
I haven’t been mounting a comeback tour. I have been finalizing a short story for this anthology.
Head on over to Amazon, Barnes & Noble, or Smashwords and check it out. It’s only $0.99 and the proceeds go to GreaterGood.org.
You’ll find shapeshifters, vampires, superheroes, demons, faeries, men and women of mystery, and leprechauns!
Okay, I’m lying about the leprechauns, but these stories contain all those other things and then some, all for less than the cost of a single can of Guinness.
Voyage into the realm of the paranormal with this nine author short story anthology. Sink your teeth into:
A Ghoulish Valentine by H.P. Mallory:
Dulcie O’Neil can’t help her attraction to Knight Vander, much though she tries to fight her feelings. When she begrudgingly accepts his invitation to dinner and a movie, the last thing she expects is that she’ll be defending herself against a cemetery full of hungry ghouls and one incredibly sexy man.
Cat Fight by Zoe Winters:
Cat Fight takes place in Zoe Winters’ “PretVerse”. Greta is a cat therian (shifter). She’s been involved with Dayne, a local sorcerer since she sought his protection from her murderous tribe. After a fight, Greta shifts into cat form and refuses to come back out.
Impulse Control by Susan Bischoff:
In the world of the Talent Chronicles, kids born with supernatural powers are taken from their families and forced into government research facilities called State Schools. At one such school, a group of Talents must work together to stop a dangerous experiment that’s already killed two of their peers and threatens others. If they’re caught they face Detention, and Detention at a State School has a whole different meaning.
Wild Passion by Lori Brighton:
James is a treasure hunter intent on collecting a deadly, priceless statue. Then he meets Adelaide, a stubbornly beautiful and mysterious woman who knows more about the statue than she admits. Suddenly, James is tempted to give up everything for the one treasure he can’t seem to own … Adelaide.
A Fairytale Ending by M.T. Murphy:
An unlucky actress discovers that there is no good and bad when it comes to vampires and werewolves, only bad and worse.
Blind Sight by Kait Nolan:
Isla’s ability as a Seer has made her a life-long captive of a paranormal crime lord. Fae assassin, Ransom, offers her a chance at escape, but when she touches his hand she sees only blood, horror, apocalypse. What reason can Ransom have for wanting to rescue her, and can she possibly trust a man who deals in death?
The Sacrifice by Toni LoTempio:
After a chance meeting with the mysterious Alfred Barstow, Jennifer is swept off her feet by his whirlwind courtship of her, so much so that she accepts his proposal of marriage. Leaving her boyfriend Peter behind, she heads off to start a new life in California, unaware there’s more to Alfred than meets the eye – and a sinister plot behind his proposal. The Sacrifice is a story about what happens when the man of your dreams turns out to be your worst nightmare…and then some!
Until the Breaking of the Day by Daniel Arenson:
The Underground. A realm of flame, blood, and knives in the dark.When its prince returns from exile, a young demon girl will learn his secrets.
If You Leave by Stacey Wallace Benefiel:
Despite their devotion to one another, Gabrielle and Jorge have been living separate lives. That is, until Gabrielle’s life ends. Reunited and it feels so…complicated?
Labels:
anthology,
fae,
horror,
paranormal,
short story,
superheroes,
talents,
therian,
vampires,
Werewolves
Friday, December 17, 2010
Author Interview: Martin Millar - On lonely werewolf girls, vampire slayers, and the peril of wrestling Elizabethan playwrights

Recently, I had the extreme good fortune to interview one of my favorite authors, Martin Millar. What follows is a rare treat. He was able answer my thirteen questions in a way that makes them seem as though they were actually intelligent, worthwhile queries. Though this is solely due to Martin's quick wit, I do not hesitate to take full credit for the quality of this interview.
Enjoy!
MT: First, an easy one. Which of these Internet created holidays do you prefer, "Talk Like A Pirate Day" or "Speak in Third Person Day"? And please demonstrate how one might ask for directions to the rest room on your chosen day.
Martin: Speaking in the third person would probably take less effort than talking like a pirate. All these 'Arrhh me hearties' would wear me out. Third person wouldn't wouldn't be that difficult to manage - 'Could you please show Martin to the rest room? He's in need of some freshening up.'
MT: The title of this blog is Werewolf Kibble, which is a reference to the things werewolves eat, such as tacos, ham sandwiches, small mammals, disagreeable vampires, and the occasional bowl of miso soup. I make no secret of the fact that Lonely Werewolf Girl is my favorite werewolf novel. While everyone else in the literary and film industries is neck deep in vampires, what is it about werewolves that captured your interest?
Martin: The first thing I thought of was the title, Lonely Werewolf Girl. The phrase was enough to get me interested. It started me wondering what a lonely werewolf girl might be like. It also struck me that, in obvious contrast to her loneliness, I could also write about a lot of other werewolves in a social setting, namely a clan, which was ideal for setting part of the book in Scotland, which I was also pleased to do. The book very quickly became a large saga, because of the amount of characters, and I liked that too.
I think werewolves have the capacity to be more human than vampires, which for me is more interesting. But really, the driving force was mainly that I thought I could write a good book about werewolves, whereas I'd have a difficult time coming up with anything original to say about vampires. I doubt I could come up with a better vampire than Spike.
I've never really seen why werewolves would necessarily be savage killers, unable to control their emotions when they change into werewolves. That doesn't really seem to follow along logically to me. I thought it quite likely that werewolves could manage to fit in with the rest of society, which most of my werewolves attempt to do.
MT: I have it on good authority that you are both a Buffy the Vampire Slayer and Spongebob Squarepants fan. Please rank these characters in order of who you would most want on your side in a barroom brawl:
Angelus, Patrick Starfish, Faith, Larry the Lobster, Squidward Tentacles, and Joyce Summers.
Martin: Faith - she's really tough and maybe we could go on a date afterwards. In fact, Faith was sexually aroused by fighting, and once practically dragged Xander into bed after she'd been involved in some violence, so she'd obviously be a good person to be in a fight with. Faith was so attractive. As, of course, is Eliza Dushku.
Angelus - Also tough, though I wouldn't want to be friends afterwards. I never really loved Angel as a TV show.
Patrick Starfish - he's practically invulnerable. I've seen terrible things happen to him in the cartoon and he just bounces back every time.
Larry the Lobster - He does weight training, but I don't think he's got the stomach for a fight.
Squidward - I sympathise with his intellectual leanings and artistic endeavours, though I can't see him being that much help in a fight.
Joyce Summers - Does have some hidden toughness - she did hit Spike with an axe on one occasion - but she was never that attractive a character.
(But really, we're missing the best option from SpongeBob - Sandy the underwater Squirrel. She's really tough)
MT: Through a twist of space and time, imagine you met William Shakespear in a pub one evening. After the inevitable wrestling match (It is a known fact that Shakespear had a brown belt in Jiu-Jitsu and liked to demonstrate his wrestling prowess in an attempt to impress the ladies whenever possible), which of your books would you suggest to the Bard for a rainy weekend read?
Martin: I'd be wary of wrestling an Elizabethan playwright, it could be dangerous. Christopher Marlowe ended up being stabbed through the eye. And in those days, in the shadowy theatrical and literary world, you never knew who might be a government spy.
I'd suggest to William Shakespeare that he never, ever looked at any of my books, so as he'd never know how inferior my writing was to his.
MT: What is the next book in your own "to read" pile?
Martin: Epictetus - Discourses and Selected Writings. Epictetus was a Greek stoic philosopher in the 1st century AD.
MT: The characters in Lonely Werewolf Girl and Curse of the Wolf Girl listen to an eclectic mix of music. If I were to sneak a peek at your current music playlist, what would I find?
Martin: T Rex, Slade, David Bowie - various English glam artists from the 70s. Also I listen to classical music on the radio.
MT: A friend told me that an open can of Guinness will draw leprechauns out if you have an infestation of the little buggers. Have you found this to be effective?
Martin: Well, this is more of an Irish question than a Scottish one, I have no real expertise in Leprechauns. Guinness may work in Ireland, but it would be an alien substance in Scotland, and might produce unforeseen consequences.
MT: If you could write a tale featuring any character at all, what character or characters would you write about? (Doctor Who episode, Batman comic, Sherlock Holmes story, Bleach story arc, Great Expectations sequel, etc.)
Martin: I'm having trouble answering this. Nothing comes very strongly to mind. I think I may have outgrown the enthusiasm I once had for many characters. Although I would still like to write a Buffy story.
To answer a slightly different question, if i was a writer at another time, I'd like to have been an Athenian playwright at the time of Aristophanes.
MT: In 200 years, a literature class is studying the collected works of Martin Millar / Martin Scott. What is the title of that course?
Martin: Minor Scottish Authors
MT: In Lonely Werewolf Girl, the title character is rude, brooding, self loathing, insecure, and neurotic, yet she still comes across as quite lovable. What was your inspiration for Kalix MacRinnalch, exiled daughter of the werewolf ruling family?
Martin: All of the rude, brooding, self loathing, insecure, and neurotic women I've had relationships with.
But seriously. She is just a figure from my own imagination. She has no real inspiration. However, most of her problems, neurosis and addictions are based on those of various people I've known.
MT: I love Anarchy in the U.K. by the Sex Pistols and I love the U.S. rock band Motley Crue. The Motley Crue cover of Anarchy in the U.K., however, makes me want to jam chopsticks in my ears. Why is that?
Martin: It just wasn't a suitable record for Motley Crue to cover. I think it was too far away in style and culture for them to understand it properly. Motley Crue singing about girls in LA is fine. There, they know what they're talking about. But Motley Crue trying to do justice to a record which really depended on it's 70s background of poor London council estates, strikes, inflation, and so on, filtered through the Sex Pistols' childhood in a country still affected by the post war poverty of the 50 and 60s, and then filtered again through the early 70s English music of The Faces, pub rock, and glam rock, was a big step too far for Motley Crue to manage.
Actually, Motley Crue make a spirited start in their version, but quickly run into trouble because they can't resist adding in flashy guitar solos. This is something you really can't have in 'Anarchy in the UK,' it destroys the whole concept of the record. After listening to Anarchy in the UK for the first time, you're meant to feel that you can immediately start your own band and make music, even if you don't know yet how to play an instrument. That feeling vanishes if the record is blighted with complicated guitar solos.
By extension of the above, listening to Anarchy in the UK can also make you feel that you can also go and write your own books, something it did for me.
MT: What is next for you on the writing front?
Martin: A Graphic novel set in ancient Greece, and probably a third werewolf book about Kalix.
MT: (In lieu of writing a response let the record show that I just did a backflip with a double twist at the mention of a third Kalix book. Hooray and ouch.) In closing, here is your chance to either reinforce or dispel a widespread stereotype about Scottish cuisine. Have you ever consumed a deep fried Mars candy bar and, if so, is it as wonderful as I imagine it would be?
Martin: No, I'd be scared to try it. I moved to London a long time ago, and while I remember Scotland as keen on it's deep fried fish and chips, I don't think the mania for frying such things as mars bars had arrived when I still lived there. I understand that anything can now be deep fried in Scotland, from chocolate to pizzas, but I've never tried any of this. It all sounds like a very bad idea to me, but I am ridiculously picky about the things I eat. My relationship with food is strained at the best of times, so I couldn't go around risking dangerous items like deep-fried mars bars.
MT: Thank you very much, Martin. On a scale from Angel Season 4 to Buffy Season 2, I rate this interview a Buffy Season 2 all the way.
Martin Millar is a critically acclaimed Scottish writer from Glasgow, now resident in London. He also writes the Thraxas series of fantasy novels under the pseudonym Martin Scott. He won the 2000 World Fantasy Award for the first book of the Thraxas series.
Connect with Martin on Twitter, his blog, and his website. Also, don't forget to pick up Lonely Werewolf Girl and Curse of the Wolf Girl.
If my endorsement isn't enough for you, see what a gentleman named Neil Gaiman has to say about Martin in the introduction he wrote for The Good Fairies of New York. Apparently, Mr. Gaiman dabbles in writing, too.
Wednesday, December 1, 2010
Author Interview: S.D. Anderson - author of The Devil's Angel and computer faith healer
I have been friends with fellow author S.D. Anderson for several years. Because she has grown somewhat comfortable with me, she foolishly agreed to this interview in the wake of releasing her first full-length novel, The Devil's Angel.
What follows is not for the faint of heart. Be advised, the C-bomb is dropped more than once.
MTM: First, an easy one: If you had to pick one and only one X-mas party to go to, whose party would that be: Vampires, werewolves, zombies, demons, leprechauns, feral gerbils, or the Cthulhu cultists?
SDA: HAHA! Can you believe that I had to look up Cthulhu Cultists? Shows you how sheltered I am! Anyway… First choice would be Vampires of course. I find it hard to believe that zombies would be good hosts, and leprechauns and gerbils make me want to do bodily harm to small children and Robert Pattinson. And well… Demons and Werewolves would be a distant second.
MTM: Your new book, The Devil's Angel, is now available all over the internet and at the little shop where I purchase my sideburn wax. How long have you been writing in the dark world of vampires, werewolves, and demons?
SDA: Do you really buy sideburn wax? HAHAH!
I found my love for the dark stuff almost 6 years ago, which was also when the birth of the lead character came about. Wow, can’t believe it’s been that long already. ;)
MTM: I predict the next hot fiction genre to be zombie love stories. Can you pitch me a hot synopsis for a zombie tale about two star-crossed, shambling, angsty, flesh-eating teens that I can plagiarize and use to finance my unhealthy obsession with potted meat from around the world?
SDA: I know it doesn’t really fit with the genre I’ve chosen to tell my stories in but I am not a zombie fan. I would be the worst person to pitch an idea on it because for me I have to at least enjoy it or see it as something I would like to have happen… zombies irk me for some weird reason. I mean if I wanted a guy that was falling apart, smells bad, and mumbles incoherently I can think of a few exes I’d go back to first. HAHA!
MTM: As we all know, the devil rarely leaves his winter home in Newark to mingle with the rest of us. What is it about the prince of darkness (not Ozzie, the other one) that captured your interest?
SDA: Great question and one I love answering. I believe it mainly stems from me being the black sheep in a religious family and wanting to see how far I could push the envelope. I tell people this book is my rebellion. Saying Lucifer or talking about the Devil was akin to saying Voldemort in my house growing up (Yea, yea, shout out to the HP fans hehe). But for the same reason that people love vampires, I love the mythology about Lucifer. Now I am not saying I have dark altars in my house or anything but I love what society has created him to be. I find it sexy as hell and very intriguing because the truth is no one alive today really knows. I wanted to portray him in such a light that you love to hate him but you know without a doubt women would sell their souls to him without a second thought.
I get into debates with my father and one of the biggest debates is religion because I tend to take opposing sides for the hell of it. The biggest kicker to me and what I love throwing at the fanaticals is this: If God made everything, and we are in fact made in his image, then does it stand to reason that he created Evil? Think on that one. It’s like the chicken and the egg, there is no wrong or right answer.
MTM: A fan sent me a picture of a tattoo from a passage in my book. Actually, it was just the copyright symbol on a really old guy's elbow, but still, I was honored. Are you looking forward to being so popular that fans have excerpts from your book tattooed on their bodies?
SDA: I have said for awhile that I don’t really want the fame. I don’t want to not be able to walk down the street without someone stopping me etc. I know without a doubt that I would become a hermit because I don’t do well with crowds and people bugging me haha. But that being said, yea that would be cool. When I write dialogue or something like that, there are several lines that ring loud to me and would be something even I would get tattooed because in my head they are epic quotes.
MTM: I have started asking everyone this question. Sam Elliott’s wooly mustache or Hugh Jackman’s wolverine lambchops? (Don't worry. There is no wrong answer here, but two talented actors' facial hair may be at stake.)
SDA: Hugh Jackman hands down. You have to think about kissable factor. Well not you but from a female perspective. I don’t want to be kissing something that furry. Sideburns are better. And let’s face it. Hugh Jackman is a babe. I need to go watch Wolverine again. *bites fist*
MTM: What book or books are you reading right now?
SDA: Actually I am not reading anything at the moment. I have two that I am planning on starting here within the next few weeks once I get publishing out of the way. They are Grey Dogs by Ian Sandusky and My Partner’s Wife by Michael Glenn Yates
MTM: Finish this scene: "Edward Cullen bumps into Devrynne Kaine, main character from The Devil's Angel, and spills his tomato juice on her new evening gown."
SDA: She would of course grab him and glare at him in fine bitchy fashion and then whoop his ass. Finishing line would be something along the lines of… “Only fairies sparkle you moron.”
MTM: I sometimes read passages of my writing to my Schnauzer and ask him what he thinks of it. I always take his silence to mean that it is the best prose he has ever encountered with his Schnauzer ears. What are some of your guilty pleasures?
SDA: Oh lordy… Adam Lambert is probably the one I’d get teased for the most. My daughters got me hooked on him and I will admit to being very taken with the man. Aside from that it would have to be my TV shows… Vampire Diaries and Supernatural. I’m a total fangirl at heart. Oh and Billy The Exterminator. Hate bugs but love that man!
MTM: You may already know that I am something of a profanity enthusiast. I have discovered that when one woman intensely dislikes another, they often use the term, "cunt," which I find both fascinating and heart-warming. What is your favorite curse word and why?
SDA: Ooooh. You said the C word!!! Nickel in the swear jar! HAHAHA! I only use Cunt when I’m extremely pissed at someone, and it is still very rare. The one that I use the most is probably a tie between Cockwhore and Douchnozzle. I use those quite liberally. Love the way they roll off my tongue. Cockwhore came about by accident. I was pissed off at someone from back in the hayday of my Myspace roleplayer days and was on the phone venting to my sister about it. Meant to say cock sucking whore and that came out instead. We both giggled hysterically over it and I’ve used it ever since. Douchnozzle was said on an episode of Supernatural and I’ve used it not so lovingly to refer to an ex ever since.
MTM: I am quite fond of first person point of view in writing. Then, I also like to scream at mailboxes and dare them to cross me, which they almost never do. Could you tell me about why you chose to write The Devil's Angel in first person and what it is that draws you to that style?
SDA: Mailboxes huh? So you’re threatened by stationary objects… *makes mental note* Moving on hahaha…I remember reading books and they were ALL in third person. I found it hard to relate to it. Then I came across one of my first 1st person written books and loved it. I connected with it because I like getting lost in a story and it allowed me to do that. When you’re reading along it’s hard to keep all the He’s and She’s and They’s from becoming a jumbled mess of confusion. First person is easier because it’s allowing the reader to read it as if they’re in their shoes.
Now I can write in third person, most if not all of my stories have started as third person until I get a good grasp on the character and can connect with them. I’ll just be in the middle of a chapter and without realizing I will switch to 1st person. That’s when I know it’s time to go back and redo the beginning and that the connection has been made.
MTM: As you know, I have a lifelong feud with the leprechauns. To my great satisfaction, I found out that the company that produces the print version of my novel uses real leprechaun tears in their ink. Were any leprechauns harmed in the making of The Devil's Angel? (please say yes)
SDA: Well here’s the deal. They creep me out. They are wicked little beings that are usually up to no good. Stupid little pots of gold no one can find… rubbish I tell you. HAHA. No, unfortunately, no Leprechauns were harmed in the making of the Devil’s Angel. Perhaps I can plot their demise in the sequel? *insert maniacal laughter here*
MTM: With the release of The Devil's Angel, you are one step closer to the goal all writers share: world domination and all the free turkey jerky and Guinness we can consume. What is the next step of your plan? If that information is top secret, what other projects are you working on?
SDA: You can keep the Guinness. Hehehe. Um… world domination wouldn’t be cool… I’d be terrible because the power would go to my head and I’d inevitably start making people worship me and wear really bad mullets. *shudders*
I am actually working on multiple things. I stayed with the first book and that was all I worked on because I was afraid that I wouldn’t finish if I didn’t. Now that I have one under my belt it’s a lot easier to jump around to whatever I’m in the mood to write.
The first and foremost is the sequel to this book called The Devil’s Apprentice. It takes place about a year after The Devil’s Angel ended. It’s the middle of at least a three part series about Devrynne’s life and the people in it. The third one is called The Devil’s Downfall (detecting a pattern here?) and it takes place 18 years after the end of the second and is not so much tied with the main story of the first two so I’m writing it as well. Mainly in pieces that don’t tie into the focal points on the first two.
Also I have been playing around with something completely out of the paranormal/horror genre, something a little closer to personal for me called Address in the Stars. I find it hard to work on this piece because it is tied very closely to things in my life that are still a little too close for comfort, so it is slowly coming along.
There is another small one that is just taking shape that has no title yet and is not in the paranormal/horror realm either. This is another taboo/rebellion piece as well because of what it’s about that deals very closely with a woman who decides to have a child for her best friend who is a gay male. It focuses very closely on relationships within the woman’s life being severed because of her choices that goes against her family’s religious beliefs.
The other big piece I’m working on is called The Curse of Katia DuFresne. It is centered around a supporting character from The Devil’s Angel, Cash Montgomery. Whether this will turn into a full length novel is unknown. I’m aiming for novella but as you can tell I do so love to ramble so it could be the full length novel by the time it’s done.
MTM: I look forward to reading it. I also look forward to using cockwhore and douchenozzel as liberally as I can this holiday season.
Big thanks to S.D. Anderson for enduring thirteen questions worth of my disjointed thought process. Her new book, The Devil's Angel, is available now.
What follows is not for the faint of heart. Be advised, the C-bomb is dropped more than once.
MTM: First, an easy one: If you had to pick one and only one X-mas party to go to, whose party would that be: Vampires, werewolves, zombies, demons, leprechauns, feral gerbils, or the Cthulhu cultists?
SDA: HAHA! Can you believe that I had to look up Cthulhu Cultists? Shows you how sheltered I am! Anyway… First choice would be Vampires of course. I find it hard to believe that zombies would be good hosts, and leprechauns and gerbils make me want to do bodily harm to small children and Robert Pattinson. And well… Demons and Werewolves would be a distant second.
MTM: Your new book, The Devil's Angel, is now available all over the internet and at the little shop where I purchase my sideburn wax. How long have you been writing in the dark world of vampires, werewolves, and demons?
SDA: Do you really buy sideburn wax? HAHAH!
I found my love for the dark stuff almost 6 years ago, which was also when the birth of the lead character came about. Wow, can’t believe it’s been that long already. ;)
MTM: I predict the next hot fiction genre to be zombie love stories. Can you pitch me a hot synopsis for a zombie tale about two star-crossed, shambling, angsty, flesh-eating teens that I can plagiarize and use to finance my unhealthy obsession with potted meat from around the world?
SDA: I know it doesn’t really fit with the genre I’ve chosen to tell my stories in but I am not a zombie fan. I would be the worst person to pitch an idea on it because for me I have to at least enjoy it or see it as something I would like to have happen… zombies irk me for some weird reason. I mean if I wanted a guy that was falling apart, smells bad, and mumbles incoherently I can think of a few exes I’d go back to first. HAHA!
MTM: As we all know, the devil rarely leaves his winter home in Newark to mingle with the rest of us. What is it about the prince of darkness (not Ozzie, the other one) that captured your interest?
SDA: Great question and one I love answering. I believe it mainly stems from me being the black sheep in a religious family and wanting to see how far I could push the envelope. I tell people this book is my rebellion. Saying Lucifer or talking about the Devil was akin to saying Voldemort in my house growing up (Yea, yea, shout out to the HP fans hehe). But for the same reason that people love vampires, I love the mythology about Lucifer. Now I am not saying I have dark altars in my house or anything but I love what society has created him to be. I find it sexy as hell and very intriguing because the truth is no one alive today really knows. I wanted to portray him in such a light that you love to hate him but you know without a doubt women would sell their souls to him without a second thought.
I get into debates with my father and one of the biggest debates is religion because I tend to take opposing sides for the hell of it. The biggest kicker to me and what I love throwing at the fanaticals is this: If God made everything, and we are in fact made in his image, then does it stand to reason that he created Evil? Think on that one. It’s like the chicken and the egg, there is no wrong or right answer.
MTM: A fan sent me a picture of a tattoo from a passage in my book. Actually, it was just the copyright symbol on a really old guy's elbow, but still, I was honored. Are you looking forward to being so popular that fans have excerpts from your book tattooed on their bodies?
SDA: I have said for awhile that I don’t really want the fame. I don’t want to not be able to walk down the street without someone stopping me etc. I know without a doubt that I would become a hermit because I don’t do well with crowds and people bugging me haha. But that being said, yea that would be cool. When I write dialogue or something like that, there are several lines that ring loud to me and would be something even I would get tattooed because in my head they are epic quotes.
MTM: I have started asking everyone this question. Sam Elliott’s wooly mustache or Hugh Jackman’s wolverine lambchops? (Don't worry. There is no wrong answer here, but two talented actors' facial hair may be at stake.)
SDA: Hugh Jackman hands down. You have to think about kissable factor. Well not you but from a female perspective. I don’t want to be kissing something that furry. Sideburns are better. And let’s face it. Hugh Jackman is a babe. I need to go watch Wolverine again. *bites fist*
MTM: What book or books are you reading right now?
SDA: Actually I am not reading anything at the moment. I have two that I am planning on starting here within the next few weeks once I get publishing out of the way. They are Grey Dogs by Ian Sandusky and My Partner’s Wife by Michael Glenn Yates
MTM: Finish this scene: "Edward Cullen bumps into Devrynne Kaine, main character from The Devil's Angel, and spills his tomato juice on her new evening gown."
SDA: She would of course grab him and glare at him in fine bitchy fashion and then whoop his ass. Finishing line would be something along the lines of… “Only fairies sparkle you moron.”
MTM: I sometimes read passages of my writing to my Schnauzer and ask him what he thinks of it. I always take his silence to mean that it is the best prose he has ever encountered with his Schnauzer ears. What are some of your guilty pleasures?
SDA: Oh lordy… Adam Lambert is probably the one I’d get teased for the most. My daughters got me hooked on him and I will admit to being very taken with the man. Aside from that it would have to be my TV shows… Vampire Diaries and Supernatural. I’m a total fangirl at heart. Oh and Billy The Exterminator. Hate bugs but love that man!
MTM: You may already know that I am something of a profanity enthusiast. I have discovered that when one woman intensely dislikes another, they often use the term, "cunt," which I find both fascinating and heart-warming. What is your favorite curse word and why?
SDA: Ooooh. You said the C word!!! Nickel in the swear jar! HAHAHA! I only use Cunt when I’m extremely pissed at someone, and it is still very rare. The one that I use the most is probably a tie between Cockwhore and Douchnozzle. I use those quite liberally. Love the way they roll off my tongue. Cockwhore came about by accident. I was pissed off at someone from back in the hayday of my Myspace roleplayer days and was on the phone venting to my sister about it. Meant to say cock sucking whore and that came out instead. We both giggled hysterically over it and I’ve used it ever since. Douchnozzle was said on an episode of Supernatural and I’ve used it not so lovingly to refer to an ex ever since.
MTM: I am quite fond of first person point of view in writing. Then, I also like to scream at mailboxes and dare them to cross me, which they almost never do. Could you tell me about why you chose to write The Devil's Angel in first person and what it is that draws you to that style?
SDA: Mailboxes huh? So you’re threatened by stationary objects… *makes mental note* Moving on hahaha…I remember reading books and they were ALL in third person. I found it hard to relate to it. Then I came across one of my first 1st person written books and loved it. I connected with it because I like getting lost in a story and it allowed me to do that. When you’re reading along it’s hard to keep all the He’s and She’s and They’s from becoming a jumbled mess of confusion. First person is easier because it’s allowing the reader to read it as if they’re in their shoes.
Now I can write in third person, most if not all of my stories have started as third person until I get a good grasp on the character and can connect with them. I’ll just be in the middle of a chapter and without realizing I will switch to 1st person. That’s when I know it’s time to go back and redo the beginning and that the connection has been made.
MTM: As you know, I have a lifelong feud with the leprechauns. To my great satisfaction, I found out that the company that produces the print version of my novel uses real leprechaun tears in their ink. Were any leprechauns harmed in the making of The Devil's Angel? (please say yes)
SDA: Well here’s the deal. They creep me out. They are wicked little beings that are usually up to no good. Stupid little pots of gold no one can find… rubbish I tell you. HAHA. No, unfortunately, no Leprechauns were harmed in the making of the Devil’s Angel. Perhaps I can plot their demise in the sequel? *insert maniacal laughter here*
MTM: With the release of The Devil's Angel, you are one step closer to the goal all writers share: world domination and all the free turkey jerky and Guinness we can consume. What is the next step of your plan? If that information is top secret, what other projects are you working on?
SDA: You can keep the Guinness. Hehehe. Um… world domination wouldn’t be cool… I’d be terrible because the power would go to my head and I’d inevitably start making people worship me and wear really bad mullets. *shudders*
I am actually working on multiple things. I stayed with the first book and that was all I worked on because I was afraid that I wouldn’t finish if I didn’t. Now that I have one under my belt it’s a lot easier to jump around to whatever I’m in the mood to write.
The first and foremost is the sequel to this book called The Devil’s Apprentice. It takes place about a year after The Devil’s Angel ended. It’s the middle of at least a three part series about Devrynne’s life and the people in it. The third one is called The Devil’s Downfall (detecting a pattern here?) and it takes place 18 years after the end of the second and is not so much tied with the main story of the first two so I’m writing it as well. Mainly in pieces that don’t tie into the focal points on the first two.
Also I have been playing around with something completely out of the paranormal/horror genre, something a little closer to personal for me called Address in the Stars. I find it hard to work on this piece because it is tied very closely to things in my life that are still a little too close for comfort, so it is slowly coming along.
There is another small one that is just taking shape that has no title yet and is not in the paranormal/horror realm either. This is another taboo/rebellion piece as well because of what it’s about that deals very closely with a woman who decides to have a child for her best friend who is a gay male. It focuses very closely on relationships within the woman’s life being severed because of her choices that goes against her family’s religious beliefs.
The other big piece I’m working on is called The Curse of Katia DuFresne. It is centered around a supporting character from The Devil’s Angel, Cash Montgomery. Whether this will turn into a full length novel is unknown. I’m aiming for novella but as you can tell I do so love to ramble so it could be the full length novel by the time it’s done.
MTM: I look forward to reading it. I also look forward to using cockwhore and douchenozzel as liberally as I can this holiday season.
Big thanks to S.D. Anderson for enduring thirteen questions worth of my disjointed thought process. Her new book, The Devil's Angel, is available now.
Don't be a douchenozzel. See it. Read it. Live it.
Connect with S.D. Anderson
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Tuesday, October 19, 2010
Halloween movie review: Trick r Treat
I remember watching the Elm Street films as a kid through covered eyes and plugged ears. The same went for the Friday the 13th and Halloween films. What can I say? I was one brave little dude ... except the exact opposite of that.
Those films each operated on a set of rules. If a character followed the rules, then they might live to the end. If they broke the rules, then they were sure to die in a suitably horrible and cathartic fashion at the hands of the big, scary villain while the audience cheered in one big chorus of “I told you so!”
Trick r Treat is a throwback to the days before horror movies were synonymous with torture porn. Early on, we are introduced to Sam. Though he looks like a creepy yet cute little kid out to score candy on Halloween, he is actually the physical embodiment of modern Halloween tradition. If people follow the “rules” of Halloween (respect the jack o’ lantern, check your candy before you eat it, be kind to trick or treaters, etc.) they have nothing to fear. If they don’t, then they suffer the gory consequences.
This film is comprised of five vignettes, each focusing on a different Halloween tradition and a different set of hapless victims. The stories are connected by jovial little Sam. Sometimes he takes an active role and sometimes he simply observes. In either case, the stories all resolve themselves in gruesome, yet satisfying ways that fit well with the rules that are established in the beginning of the movie.
Anna Paquin (X-Men, True Blood - yes, Sookie) as a modern day Red Riding Hood and Brian Cox (of X-Men 2 fame) as a Halloween-hating curmudgeon are the two biggest names in the film. Given that both of these actors are alumni of the X-Men films, it should come as no shock that X-Men and X-Men 2 director Bryan Singer is a producer.
The best word I can use to describe Trick r Treat is FUN. This is one of the most enjoyable horror films I have seen since the werewolf-heavy Dog Soldiers. There are a few bloody/shocking moments, but the overall gore is nowhere near the level of a Saw or Hostel film.
Yep. Trick r Treat relies on setting up genuine suspense rather than throwing dismemberments at you until you cry “uncle.” Since all of the stories are connected, you will want to watch it multiple times just to catch all the breadcrumbs that lead from one story to the next.
Oh yeah … did I mention there just might be a werewolf in the flick? You’ll have to watch to find out.
Spoiler: There is, and it looks fantastic with hardly any CGI.
What? Me? No patience?
Bite me. Then, watch this film.
If you long for the days of a good horror movie that will scare you and still leave a smile on your face at the end, look no farther than Trick r Treat.
Labels:
bryan singer,
halloween,
horror,
monster,
scary movies,
slasher,
vampires,
Werewolves
Wednesday, October 13, 2010
All Hallows: Chapter 1
If you have read my novel, Lucifera's Pet, you may remember that Lucifera became a vampire on October 13, 102 AD. It was 3:30 in the morning to be exact.
Why do I know the exact day and time of a made-up character's conversion to vampire? Because I'm a freak like that.
Just go with it.
To celebrate Lucifera's dark birthday, I am publishing the entire first chapter of my upcoming novella, All Hallows, right here. It is completely raw and unedited. Please read and let me know what you think. Specifically, is it compelling enough to get you to read chapter 2?
All Hallows: Chapter 1
Sophia wanted to die. She prayed for the Lord to call her home every day for the better part of a decade. On a chilly October evening death knocked on her door.
Few who knew the elderly woman would have guessed that she went through life each day hoping it would be her last. She had outlived both her husband and their three children by ten years. The frontier was harsh and life was so very fragile. Except for Sophia’s, it seemed.
She had endured two bouts of influenza that killed more than a dozen people younger than herself in the formerly quiet mining settlement of Deadwood, South Dakota. Every morning she awoke to pain so severe that it took her an hour to work up the strength to get out of bed.
She had just said “amen” for her nightly prayers when she heard the rapping at her door.
Three knocks came in a deep, methodical rhythm. It was precisely how she figured death would sound.
With the pain she usually felt in her joints oddly absent, Sophia slid out from under the covers and put on her housecoat. She took her time walking to the door. There was no need to hurry. Death had been waiting for eighty-nine years. It could wait a little longer.
She placed a hand on the lock, but hesitated. It was well past midnight and all but the rowdiest of outlaws had called it a night. Still, no one would be foolish enough to knock on her door if they planned to rob her. If she screamed people would come.
“Who’s there?” she asked through the closed door.
“You called and I have answered, Sophia.”
The voice that replied was warm and calm. It was the voice of a young woman. Her slight accent was European, but Sophia couldn’t place the country.
She opened the door.
A blast of cool air brought a shudder from the woman. One look at her caller brought another.
The young woman was wearing an extravagant maroon dress, cut lower than it should have been at the top and clinging scandalously to her waist and chest. Her black hair was pulled back in an ornate fashion and cascaded down her body as though she had just arrived for the ball. She was a stunning beauty to be sure, but it was the same beauty that could be found in the eyes of a mountain lioness just before she killed.
“Who are you?” Sophia asked.
“Call me whatever you wish. You know why I am here. It is your time.”
“You are death, then?”
“If you like. Invite me in and I will give you what you seek.”
Sophia hesitated. When presented with promise of the sweet release of death she found herself wavering. Were things really that bad?
Her thoughts drifted to her only friend, Adam. The odd man surely wouldn’t miss an old woman who had lived long past her expiration.
She looked back into the eyes of the girl, fully prepared to tell her to go away. What strange eyes they were. So green that they seemed to glow in the moonlight.
The girl wasn’t real. She couldn’t be.
“Sophia.” A new voice greeted her. This one was deep and masculine. It was so familiar. Sophia turned to find her husband standing beside her. He wasn’t old and worn down as he had been at his death. Instead he was as healthy and youthful as he was shortly after their children had been born.
“Jonathan?”
“It’s me, Sophie. And look.” He stepped to the side revealing two cherubic boys and a beautiful little girl.
“My babies!” Sophia took a step forward with arms outstretched to embrace the husband and children who had left the Earth many years before. Her heart swelled and pounded with joy.
The girl outside smiled.
As Sophia’s hands neared her loved ones, they began to fade. Her husband disappeared and her children dissolved into darkness before her eyes. They were still as dead as they had been these long torturous years.
Sophia looked back at the temptress in the doorway. “Even death wouldn't be that cruel.”
The young woman outside said nothing. The wind blew, rustling the fabric of her dress and her long, black hair. She should have shivered from the cold, but instead she was motionless, as only the dead can be.
Sophia knew she should close the door and pretend that it was all a dream. No good could come from the thing outside. Still, she could smell the tobacco from her husband’s pipe and hear the echoes of her children’s laughter. It had seemed so real.
The two women stared into each other’s eyes in silence. Sophia suddenly found the girl’s enigmatic smile infuriating. The cold began to take its toll and Sophia’s joints started to ache. She stumbled and looked back towards her waiting bed.
The woman outside did not move.
Sophia let out a sigh as the weight of many painful years of courage in the face of harsh life drained from her.
Finally, she spoke. “Come inside, demon. Take me to Hell if that’s what you came for.”
The woman stepped across the threshold. “My name is Lucifera, and life has shown you enough cruelty. I bring you this.”
Sophia’s husband appeared before her again. This time, he walked towards her and took her in his arms. Stunned, she pushed against him, finding that he was flesh and not the apparition from before.
“Oh Jonathan.” Sophia buried her face in his shoulder and wept tears of joy.
She barely noticed the sharp pain in her throat. Her husband rocked her gently in his arms and stroked her hair as the life poured out of her body.
Sophia died happily.
The vampire felt the life leave Sophia’s body but continued to drink. She relaxed her mind, allowing the effort she put into tricking the old woman’s senses to fade away while she savored the last drops of blood.
Human emotions exhibited such distinct flavors. It had been some time since Lucifera had tasted happiness. It was far too sweet for her pallet. She much preferred when her victims died in terror. Fear was both salty and sour, and most delectable. Still, she was a guest in this town and she had to be respectful, at least for the time being.
With only days to go before the ceremony, Lucifera was beginning to like it in Deadwood. She had tried to be a good guest and feed as neatly as possible. The others were far less considerate. Downright sloppy, even. In the grand scheme, it was of little importance. Chance favored the possibility that all of existence would be cast into a void of nothingness in less than a fortnight.
Lucifera placed Sophia in bed and closed the front door on her way out. Impending apocalypse or no, she saw no reason to be uncivilized.
Why do I know the exact day and time of a made-up character's conversion to vampire? Because I'm a freak like that.
Just go with it.
To celebrate Lucifera's dark birthday, I am publishing the entire first chapter of my upcoming novella, All Hallows, right here. It is completely raw and unedited. Please read and let me know what you think. Specifically, is it compelling enough to get you to read chapter 2?
All Hallows: Chapter 1
Sophia wanted to die. She prayed for the Lord to call her home every day for the better part of a decade. On a chilly October evening death knocked on her door.
Few who knew the elderly woman would have guessed that she went through life each day hoping it would be her last. She had outlived both her husband and their three children by ten years. The frontier was harsh and life was so very fragile. Except for Sophia’s, it seemed.
She had endured two bouts of influenza that killed more than a dozen people younger than herself in the formerly quiet mining settlement of Deadwood, South Dakota. Every morning she awoke to pain so severe that it took her an hour to work up the strength to get out of bed.
She had just said “amen” for her nightly prayers when she heard the rapping at her door.
Three knocks came in a deep, methodical rhythm. It was precisely how she figured death would sound.
With the pain she usually felt in her joints oddly absent, Sophia slid out from under the covers and put on her housecoat. She took her time walking to the door. There was no need to hurry. Death had been waiting for eighty-nine years. It could wait a little longer.
She placed a hand on the lock, but hesitated. It was well past midnight and all but the rowdiest of outlaws had called it a night. Still, no one would be foolish enough to knock on her door if they planned to rob her. If she screamed people would come.
“Who’s there?” she asked through the closed door.
“You called and I have answered, Sophia.”
The voice that replied was warm and calm. It was the voice of a young woman. Her slight accent was European, but Sophia couldn’t place the country.
She opened the door.
A blast of cool air brought a shudder from the woman. One look at her caller brought another.
The young woman was wearing an extravagant maroon dress, cut lower than it should have been at the top and clinging scandalously to her waist and chest. Her black hair was pulled back in an ornate fashion and cascaded down her body as though she had just arrived for the ball. She was a stunning beauty to be sure, but it was the same beauty that could be found in the eyes of a mountain lioness just before she killed.
“Who are you?” Sophia asked.
“Call me whatever you wish. You know why I am here. It is your time.”
“You are death, then?”
“If you like. Invite me in and I will give you what you seek.”
Sophia hesitated. When presented with promise of the sweet release of death she found herself wavering. Were things really that bad?
Her thoughts drifted to her only friend, Adam. The odd man surely wouldn’t miss an old woman who had lived long past her expiration.
She looked back into the eyes of the girl, fully prepared to tell her to go away. What strange eyes they were. So green that they seemed to glow in the moonlight.
The girl wasn’t real. She couldn’t be.
“Sophia.” A new voice greeted her. This one was deep and masculine. It was so familiar. Sophia turned to find her husband standing beside her. He wasn’t old and worn down as he had been at his death. Instead he was as healthy and youthful as he was shortly after their children had been born.
“Jonathan?”
“It’s me, Sophie. And look.” He stepped to the side revealing two cherubic boys and a beautiful little girl.
“My babies!” Sophia took a step forward with arms outstretched to embrace the husband and children who had left the Earth many years before. Her heart swelled and pounded with joy.
The girl outside smiled.
As Sophia’s hands neared her loved ones, they began to fade. Her husband disappeared and her children dissolved into darkness before her eyes. They were still as dead as they had been these long torturous years.
Sophia looked back at the temptress in the doorway. “Even death wouldn't be that cruel.”
The young woman outside said nothing. The wind blew, rustling the fabric of her dress and her long, black hair. She should have shivered from the cold, but instead she was motionless, as only the dead can be.
Sophia knew she should close the door and pretend that it was all a dream. No good could come from the thing outside. Still, she could smell the tobacco from her husband’s pipe and hear the echoes of her children’s laughter. It had seemed so real.
The two women stared into each other’s eyes in silence. Sophia suddenly found the girl’s enigmatic smile infuriating. The cold began to take its toll and Sophia’s joints started to ache. She stumbled and looked back towards her waiting bed.
The woman outside did not move.
Sophia let out a sigh as the weight of many painful years of courage in the face of harsh life drained from her.
Finally, she spoke. “Come inside, demon. Take me to Hell if that’s what you came for.”
The woman stepped across the threshold. “My name is Lucifera, and life has shown you enough cruelty. I bring you this.”
Sophia’s husband appeared before her again. This time, he walked towards her and took her in his arms. Stunned, she pushed against him, finding that he was flesh and not the apparition from before.
“Oh Jonathan.” Sophia buried her face in his shoulder and wept tears of joy.
She barely noticed the sharp pain in her throat. Her husband rocked her gently in his arms and stroked her hair as the life poured out of her body.
Sophia died happily.
The vampire felt the life leave Sophia’s body but continued to drink. She relaxed her mind, allowing the effort she put into tricking the old woman’s senses to fade away while she savored the last drops of blood.
Human emotions exhibited such distinct flavors. It had been some time since Lucifera had tasted happiness. It was far too sweet for her pallet. She much preferred when her victims died in terror. Fear was both salty and sour, and most delectable. Still, she was a guest in this town and she had to be respectful, at least for the time being.
With only days to go before the ceremony, Lucifera was beginning to like it in Deadwood. She had tried to be a good guest and feed as neatly as possible. The others were far less considerate. Downright sloppy, even. In the grand scheme, it was of little importance. Chance favored the possibility that all of existence would be cast into a void of nothingness in less than a fortnight.
Lucifera placed Sophia in bed and closed the front door on her way out. Impending apocalypse or no, she saw no reason to be uncivilized.
Monday, October 11, 2010
The Evololution of Female Vampires - Guest Blog at Dun Scaith
Female vampires have been around for just as long as their male counterparts in literature and film. Their role has changed immensely over the past two centuries. Today I am taking a look at six of the most memorable female vampires...
Continue reading at Dun Scaith.
Continue reading at Dun Scaith.
Labels:
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Sunday, October 3, 2010
Author Interview: Chris Kelly, author of Matilda Raleigh: Invictus
I recently was fortunate enough to interview new author, Chris Kelly of Scathatch Publishing. His book, Matilda Raleigh: Invictus, is now available.
Chris is an enigmatic straight-shooter who does not hesitate to tell it like it is. The phrase “sugar-coated” is not in his vocabulary. Enjoy!
M.T.M: Thanks for letting me interview you, Chris.
C.K.: You're welcome, Michael. It's great to be here - I'm doing three interviews this month as part of my blog tour and it's making me feel like a big shot author. Loving my 2-seconds in the limelight.
M.T.M: How about we start off with an easy one. Where are you from and how long have you been writing, for yourself and professionally?
C.K.: I'm from Scotland, a tiny village called Laurieston, about a mile from the world-famous Falkirk Wheel (it's famous if you are turned on by canal boats, boat lifts and so on). It's the heart of Braveheart country, according to the tourist board.
I've always wrote, since I could write. I write every single day and I always have. If I miss more than two days I get impossibly crabby and my wife hates me! Writing is my form of relaxation.
I've known I was good enough to get published since I was 22. At that point I just sort of thought "yeah, I'm amazing..." LOL, no - it was more like realising that I actually have talent, my writing doesn't suck.
I don't believe this spiel about "writers can't judge their own work." Why else do so many writers say " I read something I wrote x years ago. My writing used to suck." I read my work and I know it's good, and if other people don't think I'm humble, or feel I don't know what I'm talking about, or whatever, that's fine.
Literature is subjective. I didn't like the Da Vinci Code, but that doesn't mean all the millions of people who bought it were wrong. And if everyone hates Invictus, that doesn't make them right.
By the way, I'm 28 now, so by my count I've been good enough for 6 years. And still improving.
M.T.M: I am 34 and I fully expect it to take about sixty years for people to see my first novel for the masterpiece it is. Then the “F*ck me, M.T. Murphy” videos will start rolling in.
Sorry. I sometimes can have the attention span of a gnat on Red Bull. Back to the topic at hand.
The protagonist of your book, Matilda Raleigh: Invictus, is a seventy-two year old retiree. She definitely does not fit one of the typical fantasy adventure story archetypes. What inspired you in your choice of a main character?
C.K.: I can't deny the influence Legend has had on this book. David Gemmell is not my favourite author (but he's up there) and that isn't my favourite book (again, up there) but it has massively influenced me.
I was probably also influenced by Terry Pratchett's The Last Hero, and other books which peripherally feature Cohen the Barbarian.
Matilda is hard to place in the archetypes. In the original version of my book I told two stories, one of Matilda as a sixteen year old going up against the magic of the crystal skulls for the first time, and the other of her fighting the same magic as a septuagenarian. So she kind of fitted the young hero and old mentor role at the same time (yes, I know that's a stretch).
Of course, the entire book doesn't fit fantasies silly lines in the sand. It's sword and sorcery of the oldest style, and by that I mean it is Conan, and it is Elric, and more. At the same time it is down and dirty steampunk. Yes, she's the richest woman in the Empire, but she speaks thieves' cant and is as at home in the warren-like slums of St Giles Rookery as she is in the royal palaces of Sandringham, watching her king and queen dance.
I'm not a fan of "this is a sub-genre. Keep your writing within it." The compartmentalization of fantasy was a marketing decision, a product placement decision, and never should have carried weight back to the writers. But try explaining that to publishers, editors and agents with their "we sell what we've always sold" attitudes.
Fantasy should be the most open and encompassing genre in all of fiction. After all, the rule in fantasy (the only rule) is consistency within the constraints of the book. Want to have unicorns that go into magical cocoons and then become dragons? Fine, as long as that's where all dragons come from.
And yet, despite the fact that fantasy is the one genre that could take us everywhere, anywhere, to do anything with anyone, despite the fact that it is the one genre without limits, bookshops only ever seem to stock the same five plots with a different cover.
As for Matilda, the more I thought about this story, the more I wanted to do someone who was not only a hero for it, but famous. Famous throughout the entire empire in her heyday
(She was featured in at least 19 supposedly biographical penny dreadful fictions in her youth) and yet is know old and forgotten. No one knows who she is, where she came from, what she did. In a sense, I went in the opposite direction of Gemmell's Legend.
Druss had the expectations of a nation to fulfill when he went to Dros Delnoch. No one expects anything from Matilda, but she does what's needed anyway. She knows from the start of the novel that she is dying, that she probably won't survive long enough to stop the villain, and yet she doesn't give up.
In fact, that's what Invictus means. It's Latin for Unconquerable, and it's the title of possibly the best poem ever written, which is featured at the very beginning of the novel.
Through Matilda I wanted to show what it really means to be a hero. To do what needs done no matter the consequences. To know there will be no reward, no fame, no glory. In my opinion, being a hero simply means having the unbreakable will to make the hardest decisions, decisions ordinary people will never be expected to make.
I think I achieved that, especially with Matilda's victory. She has a choice between two evils, and it's the decision she comes to which truly makes Matilda a hero.
M.T.M: Is Invictus a standalone tale or part of a larger series or world of future connected stories?
C.K.: It's the last in a series. There will be a host of prequels involving Matilda from about age 20 up, when she starts working in the Church's wetworks department, battling magic and monsters.
The first one will feature a book of necromancy, an army of the undead, demonic possession and warrior priests, and I'm hoping to have it written and published in 2011.
There's also the chance for a dieselpunk spin-off. Invictus features a young girl called Emily, and I'm considering following Emily's story through the 20s and 30s in America, returning to Europe for World War II.
M.T.M: When did you begin writing the story?
C.K.: I began writing the story last year, in December I think. It took me longer than anything usually takes to write.
M.T.M: Did it change along the way?
C.K.: Absolutely. I've already mentioned the original told of her youth. Well, the original told a lot more than that. It was 40k words longer. I was writing for New York, which was a mistake. I cut 40k out, changed another 15k words, and came out with something much better and stronger for my efforts.
M.T.M: What do you want the reader to think and feel while reading Invictus?
C.K.: Invictus starts off with a clockman (think clockwork terminator) trying to assassinate King Edward. There are terrifying demons, beautiful angels, vengeful vampires, lovelorn sorceresses, magical explosions, a steam-powered Iron-Manesque power suit, demonically possessed revolvers, a trip to purgatory, a stormy ornithopter ride, and a stunning finale on board the RMS Titanic.
Like I said, it's old fashioned sword and sorcery, and the action catapults from one intense scene to the next, seemingly never-letting up.
So I'd be looking for nail-biting, edge-of-the-seat, wet-your-pants excitement at the very least. I want them to root for her. But I'd settle for a strong sense of like.
M.T.M: When you are not writing, what other authors do you enjoy reading?
C.K.: I really enjoy Jim Butcher's Dresden Files, but his fantasy not so much. I loved Patrick Rothfuss's Name of the Wind, and Martin Millar's Lonely Werewolf Girl.
My favourite book is Robert McCammon's Boy's Life. Everyone needs to read that. My favourite author is probably Terry Pratchett, but I realise he is not everyone's thing.
M.T.M: If you could have the opportunity to write a story, novel, episode, or movie about an existing character, what would that character be? (Doctor Who, James Bond, Wonder Woman, Buffy the Vampire Slayer, Batman, etc.)
C.K.: I'd love to write a whole series of Spider-man novels, starting when he is still at school, back when the spider first bit him. I love Spidey.
Chris's blog tour rolls on throughout the month of October. Connect with him below:
Matilda Raleigh: Invictus - $2.99 at Smashwords.com
Dun Scaith – Chris’s blog
Facebook
Twitter
Chris is an enigmatic straight-shooter who does not hesitate to tell it like it is. The phrase “sugar-coated” is not in his vocabulary. Enjoy!
M.T.M: Thanks for letting me interview you, Chris.
C.K.: You're welcome, Michael. It's great to be here - I'm doing three interviews this month as part of my blog tour and it's making me feel like a big shot author. Loving my 2-seconds in the limelight.
M.T.M: How about we start off with an easy one. Where are you from and how long have you been writing, for yourself and professionally?
C.K.: I'm from Scotland, a tiny village called Laurieston, about a mile from the world-famous Falkirk Wheel (it's famous if you are turned on by canal boats, boat lifts and so on). It's the heart of Braveheart country, according to the tourist board.
I've always wrote, since I could write. I write every single day and I always have. If I miss more than two days I get impossibly crabby and my wife hates me! Writing is my form of relaxation.
I've known I was good enough to get published since I was 22. At that point I just sort of thought "yeah, I'm amazing..." LOL, no - it was more like realising that I actually have talent, my writing doesn't suck.
I don't believe this spiel about "writers can't judge their own work." Why else do so many writers say " I read something I wrote x years ago. My writing used to suck." I read my work and I know it's good, and if other people don't think I'm humble, or feel I don't know what I'm talking about, or whatever, that's fine.
Literature is subjective. I didn't like the Da Vinci Code, but that doesn't mean all the millions of people who bought it were wrong. And if everyone hates Invictus, that doesn't make them right.
By the way, I'm 28 now, so by my count I've been good enough for 6 years. And still improving.
M.T.M: I am 34 and I fully expect it to take about sixty years for people to see my first novel for the masterpiece it is. Then the “F*ck me, M.T. Murphy” videos will start rolling in.
Sorry. I sometimes can have the attention span of a gnat on Red Bull. Back to the topic at hand.
The protagonist of your book, Matilda Raleigh: Invictus, is a seventy-two year old retiree. She definitely does not fit one of the typical fantasy adventure story archetypes. What inspired you in your choice of a main character?
C.K.: I can't deny the influence Legend has had on this book. David Gemmell is not my favourite author (but he's up there) and that isn't my favourite book (again, up there) but it has massively influenced me.
I was probably also influenced by Terry Pratchett's The Last Hero, and other books which peripherally feature Cohen the Barbarian.
Matilda is hard to place in the archetypes. In the original version of my book I told two stories, one of Matilda as a sixteen year old going up against the magic of the crystal skulls for the first time, and the other of her fighting the same magic as a septuagenarian. So she kind of fitted the young hero and old mentor role at the same time (yes, I know that's a stretch).
Of course, the entire book doesn't fit fantasies silly lines in the sand. It's sword and sorcery of the oldest style, and by that I mean it is Conan, and it is Elric, and more. At the same time it is down and dirty steampunk. Yes, she's the richest woman in the Empire, but she speaks thieves' cant and is as at home in the warren-like slums of St Giles Rookery as she is in the royal palaces of Sandringham, watching her king and queen dance.
I'm not a fan of "this is a sub-genre. Keep your writing within it." The compartmentalization of fantasy was a marketing decision, a product placement decision, and never should have carried weight back to the writers. But try explaining that to publishers, editors and agents with their "we sell what we've always sold" attitudes.
Fantasy should be the most open and encompassing genre in all of fiction. After all, the rule in fantasy (the only rule) is consistency within the constraints of the book. Want to have unicorns that go into magical cocoons and then become dragons? Fine, as long as that's where all dragons come from.
And yet, despite the fact that fantasy is the one genre that could take us everywhere, anywhere, to do anything with anyone, despite the fact that it is the one genre without limits, bookshops only ever seem to stock the same five plots with a different cover.
As for Matilda, the more I thought about this story, the more I wanted to do someone who was not only a hero for it, but famous. Famous throughout the entire empire in her heyday
(She was featured in at least 19 supposedly biographical penny dreadful fictions in her youth) and yet is know old and forgotten. No one knows who she is, where she came from, what she did. In a sense, I went in the opposite direction of Gemmell's Legend.
Druss had the expectations of a nation to fulfill when he went to Dros Delnoch. No one expects anything from Matilda, but she does what's needed anyway. She knows from the start of the novel that she is dying, that she probably won't survive long enough to stop the villain, and yet she doesn't give up.
In fact, that's what Invictus means. It's Latin for Unconquerable, and it's the title of possibly the best poem ever written, which is featured at the very beginning of the novel.
Through Matilda I wanted to show what it really means to be a hero. To do what needs done no matter the consequences. To know there will be no reward, no fame, no glory. In my opinion, being a hero simply means having the unbreakable will to make the hardest decisions, decisions ordinary people will never be expected to make.
I think I achieved that, especially with Matilda's victory. She has a choice between two evils, and it's the decision she comes to which truly makes Matilda a hero.
M.T.M: Is Invictus a standalone tale or part of a larger series or world of future connected stories?
C.K.: It's the last in a series. There will be a host of prequels involving Matilda from about age 20 up, when she starts working in the Church's wetworks department, battling magic and monsters.
The first one will feature a book of necromancy, an army of the undead, demonic possession and warrior priests, and I'm hoping to have it written and published in 2011.
There's also the chance for a dieselpunk spin-off. Invictus features a young girl called Emily, and I'm considering following Emily's story through the 20s and 30s in America, returning to Europe for World War II.
M.T.M: When did you begin writing the story?
C.K.: I began writing the story last year, in December I think. It took me longer than anything usually takes to write.
M.T.M: Did it change along the way?
C.K.: Absolutely. I've already mentioned the original told of her youth. Well, the original told a lot more than that. It was 40k words longer. I was writing for New York, which was a mistake. I cut 40k out, changed another 15k words, and came out with something much better and stronger for my efforts.
M.T.M: What do you want the reader to think and feel while reading Invictus?
C.K.: Invictus starts off with a clockman (think clockwork terminator) trying to assassinate King Edward. There are terrifying demons, beautiful angels, vengeful vampires, lovelorn sorceresses, magical explosions, a steam-powered Iron-Manesque power suit, demonically possessed revolvers, a trip to purgatory, a stormy ornithopter ride, and a stunning finale on board the RMS Titanic.
Like I said, it's old fashioned sword and sorcery, and the action catapults from one intense scene to the next, seemingly never-letting up.
So I'd be looking for nail-biting, edge-of-the-seat, wet-your-pants excitement at the very least. I want them to root for her. But I'd settle for a strong sense of like.
M.T.M: When you are not writing, what other authors do you enjoy reading?
C.K.: I really enjoy Jim Butcher's Dresden Files, but his fantasy not so much. I loved Patrick Rothfuss's Name of the Wind, and Martin Millar's Lonely Werewolf Girl.
My favourite book is Robert McCammon's Boy's Life. Everyone needs to read that. My favourite author is probably Terry Pratchett, but I realise he is not everyone's thing.
M.T.M: If you could have the opportunity to write a story, novel, episode, or movie about an existing character, what would that character be? (Doctor Who, James Bond, Wonder Woman, Buffy the Vampire Slayer, Batman, etc.)
C.K.: I'd love to write a whole series of Spider-man novels, starting when he is still at school, back when the spider first bit him. I love Spidey.
Chris's blog tour rolls on throughout the month of October. Connect with him below:
Matilda Raleigh: Invictus - $2.99 at Smashwords.com
Dun Scaith – Chris’s blog
Labels:
angels,
author interview,
demons,
fantasy,
historic fiction,
novels,
science fiction,
steampunk,
vampires
Wednesday, September 29, 2010
Werewolf Gunslinger: All Hallows Chapter 1 concept art
Werewolf Gunslinger: All Hallows is the novella follow-up to my werewolf gunslinger short stories available for free on Smashwords.com here. I am producing a pen and ink drawing for each chapter similar to the format of one of my favorite books, A Night in the Lonesome October by Roger Zelazny.
In Chapter 1, one of the protagonists from my novel, Lucifera's Pet, makes an appearance. This was the first rough sketch I did of the scene:
When I get around to inking this piece, I'll post that here as well.
Feedback is greatly appreciated!
In Chapter 1, one of the protagonists from my novel, Lucifera's Pet, makes an appearance. This was the first rough sketch I did of the scene:
I played around with a few things and decided to add a doorway to show the point of view of the unlucky individual who encounters the vampiress. Here is my final sketch:When I get around to inking this piece, I'll post that here as well.
Feedback is greatly appreciated!
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